I think I’ve already mentioned somewhere else that this song was voted one of the best cowboy movie themes by the Western Writers of America Association. I’m fairly sure it didn’t actually feature in the main film, but came as a bonus on the Elmer Bernstein sound track album. Rankings, of course, are a strictly arbitrary construction: if it seems difficult to select your favorite film of all time, try choosing your fourth favorite film of all time…at some point, it all just comes down to a question of personal preference. In this vein, Howard Hawks’ legendary El Dorado (1966) must surely take a position of honor in my list: I first saw the film when I was a little boy and have loved it unconditionally ever since. I only bought it to get the El Dorado theme by George Alexander and the Mellowmen. Log In. They were sometimes credited as The Mellowmen, The Mello Men, or The Mellow Men. You also have the option to opt-out of these cookies. Lyrics to George Alexander & the Mellomen El Dorado: Instrumental Discover new artists and listen to full albums from your favorite bands. Free printable and easy chords for song by George Alexander - El Dorado. Through C sunshine and Am shadow, from Dm darkness till C noon Over C mountains that Em reach from the Dm sky to the Fmaj7 moon Dm Em Fmaj7 G#-5 A man with a dream that will never let go C Fadd9 | C | Am | Keeps searching to find El Dorado Sir George Alexander (19 June 1858 – 15 March 1918), born George Alexander Gibb Samson, was an English stage actor, theatre producer and theatre manager.After acting on stage as an amateur he turned professional in 1879 and, over the next eleven years, he gained experience with leading producers and actor-managers, including Tom Robertson, Henry Irving and Madge and W. H. Kendal. The IMDb editors are anxiously awaiting these delayed 2020 movies. George Alexander & The Mellomen - Pandora. Theme Song From El Dorado }}- El Dorado El Dorado" (1966) (Nelson Riddle / John Gabriel) George Alexander & The Mellomen In sunshine and shadow, from darkness till noon Over ... Before downloading Theme Song From El Dorado Videos, Explore and find the perfect music you need with our editorial music playlists. George Alexander sings it so seriously – lyrics by John Gabriel and music by Nelson Riddle – you almost believe everything he says is true. If that doesn't work, please visit our help page. Seven months later, Cole returns to El Dorado and finds the place in a bit of an uproar: Sheriff Harrah has turned into the town drunk (and laughing-stock) thanks to a bad relationship and Bart Jason rules everything with an iron fist. She Wore A Yellow … Movie Theme El Dorado George Alexander 1966 Lyrics. George Alexander: George Alexander is a very gifted actor/model who becomes one with his assignment. Trivia | Goofs | Crazy Credits | Quotes | Alternate Versions | Connections. This is a reading of the movie version which has some weird key changes. Do you know any background info about this artist? The opening music starts initially with a snatch of Max Steiner’s score for the film then segues into the song Ride Away, written by Stan Jones. (Songs). His arch, slightly bemused delivery is pitch-perfect, going miles towards establishing his begrudging respect for Thornton. I only bought it to get the El Dorado theme by George Alexander and the Mellowmen. If memory serves me correctly it was quite a big hit back in the late 1960s in both America and the UK and it’s certainly one of my all-time favourite JW theme tunes. This website uses cookies to improve your experience. Similar Artists Play all Johnny O'Neil. But then, of course, a funny thing happened: the more critical I became, the better the film held up. Not so much a song, more a taster for what was to come when JW recorded America – Why I Love Her a few years later. This is a list in ascending order of some of my favorite John Wayne western movie theme songs and tunes which I hope is going to stir a debate or two amongst JW fans out there. Much of Lee s best - known work is as part of the popular singing quartet known as The Mellomen founded by Thurl Ravenscroft. Harrah talks Thornton out of taking the job and Cole hits the road, leaving behind his “best girl” Maudie (Charlene Holt) and Sheriff Harrah to keep the peace. If you haven’t seen it yet, you really should. Caan is absolutely fantastic in El Dorado, striking a perfect synthesis of “newbie jitters” and ridiculously self-assured braggadocio. Chords ratings, diagrams and lyrics. And you get Cindy for an encore as well. So right, in fact, that MacDonald’s fiery, take-no-shit daughter Joey (Michele Carey) decides to head-out and wait for Thornton on the road. Not strictly a JW theme tune, as the main title music is an orchestral combination of De Guella and Green Leaves of Summer. His plain-spoken, painfully honest declarations would be the highlight of any lesser film but, here, are just another brick in a pretty amazing wall. While her ambush doesn’t kill Cole, as planned, it does leave him with a bullet in his back and plenty of residual pain. Play Advices. I’ve also got nothing against Ricky Nelson, whose Colorado Ryan is a nice addition to the “naive, wet-behind-the-ears gunfighter” club but compared to James Caan? In all honesty, I really can’t find enough good things to say about El Dorado: it’s been one of my all-time favorite films since I was a boy (this and Clint Eastwood’s Westerns were the only ones I truly loved, as a boy, and I really couldn’t stand John Wayne until I was much older) and my love and appreciation for the film have never waned. Check out what we'll be watching in 2021. Song information for El Dorado - George Alexander, Mellomen on AllMusic The Mellomen recorded under a variety of names, including Big John & The Buzzards, The Crackerjacks, The Lee Brothers, and The Ravenscroft Quartet. Enjoy! When Mitchum was on point, he was pretty much invincible and Sheriff J.P. Harrah might be his best role besides Night of the Hunter (1955). For the record, here are the lyrics (written by John Gabriel) to the theme song of the 1966 film (sung by George Alexander and the Mellomen): In sunshine and shadow, from darkness till noon Over mountains that reach from the sky to the moon A man with a dream that will never let go The group "The Mellomen" (Thurl Ravenscroft, Bill Lee, Bob Stevens and Max Smith) sung the theme to Cheyenne. Jones also wrote Ghost Riders in the Sky and the theme to the TV series Cheyenne, among many others. The much missed Mr. Campbell, who also appears in the film, sings lyrics by Don Black, and the music is by Elmer Bernstein, here supplying a memorable musical score. Coming off as a more handsome, if no less nutty, Willem Dafoe, George is able to make McLeod more than a worthy adversary for Wayne’s Thornton. Never mind that the song is absolutely brilliant, perhaps the best Western theme song ever: when combined when the paintings, the tune manages to not only tell a story (in some ways, the whole of the film is in there, writ small) but to flood the viewer with the notion that what we’re about to see is just as much glorious make-believe as it is reference to a real era. They were founded by Thurl Ravenscroft and Max Smith in 1948. In many ways, El Dorado functions as a remake of Hawks’ own Rio Bravo (1959): the basic plot is the same and many of the characters in El Dorado seem to be slight variations on the characters from Rio Bravo. It’s certainly one of the more memorable songs from any of Duke’s films, and turned up nearly fifty years later as the main theme to Quentin Tarantino’s wartime epic, Inglorious Basterds. John Wayne Movies – Republic 1939 – The Final Roundup. Enjoy! Just cheesy. Over mountains that reach from the sky to the moon . If you’ve spent nearly 30 years watching the same film and aren’t tired of it, I think you can pretty much assume you never will be. Key Variations. by Misc Soundtrack, George Alexander and The Mellowmen. Correction: George Alexander - El Dorado (ukulele) Ukulele Chords G C E A George Alexander and The Mellomen EL DORADO (Nelson Riddle / John Gabriel) … Sorry, Ricky…lights out on this one. On the road, Cole is forced to gut-shoot Luke MacDonald (Johnny Crawford) after the startled lookout starts shooting at the gunslinger. After laying eyes on the comely Maudie, Mississippi lets out a low whistle: “Well, I found one thing out,” he tells Cole. A truly magnificent musical opening to a truly magnificent film. I was ready to tear the film to pieces: after all, I used to love Clerks (1994) and find it to be absolutely pointless as I approach forty years on Earth. View full artist profile. For one thing, Mitchum is miles above Dean Martin as far as acting goes: sorry, Dino, but them’s the facts. See more of When The Cowboy Sings And Newhillbilly on Facebook. “El Dorado” by George Alexander and the Mellomen “Silverado” by The Marshall Tucker Band “Great White Buffalo” by Ted Nugent “Kaw-Liga” by Hank Williams “Sweet Baby James” by James Taylor “Desperado” by The Eagles “The Gambler” by Kenny Rogers So ride, boldly ride, to the end of the rainbow . One of the best moments in the film is the part where McLeod watches in curiosity (and admiration) as the “unarmed” Mississippi steps up to one of McLeod’s men and demands retribution for a previous killing. He is very sensible, hardworking, enthusiastic … Keeps searching to find El Dorado . There’s also a song entitled The Comancheros and inspired by the film which was recorded by one Claude King, and can be found on a limited issue of the original soundtrack. Necessary cookies are absolutely essential for the website to function properly. They sang … I’m assuming cinema audiences back in 1962 would not have heard the main overture unless they were attending a roadshow Cinerama screening of this epic movie but I’m including it here because, apart from a magnificent main theme by Alfred Newman, it features an intriguing medley of traditional songs such as I’m Bound for the Promised Land, Shenandoah, Endless Prairie and Ox Driver. It’s a great combination of Steiner, Sons of the Pioneers and traditional music that cannot be equaled. (1961), Rio Lobo (1970), The Long Goodbye (1973) and The Empire Strikes Back (1980)). The movie looks and sounds gorgeous, is filled with instantly memorable characters, has tons of iconic set-pieces (like Mitchum and his crippled quarry in the saloon) and has some really insightful points to make about friendship and duty. After the boy ends up taking his own life, Cole brings the body back to the MacDonald ranch: “Never send a boy to do a man’s job,” he tells the elder MacDonald and he’s right. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. I think this might be the most widely recorded of any John Wayne associated film songs, and also probably the most successful commercially. Title song by John Gabriel, Nelson Riddle, performed by George Alexander, The Mellomen. These cookies will be stored in your browser only with your consent. Well, it sounds like they placed 2 recording mics in front of the TV and let 'er rip. But opting out of some of these cookies may affect your browsing experience. While the photography in El Dorado is absolutely gorgeous, full of bright, vibrant and crystal-clear images, Rosson’s use of lighting really makes everything stand out. El Dorado Chords - George Alexander George Alexander and The Mellomen EL DORADO (Nelson Riddle / John Gabriel) A moving western song from a great movie ("El Dorado", 1966). Ed Asner does villainy up right with the merciless Bart Jason but Christopher George is a revelation as Nelse McLeod, the second-best gunfighter in the area (after Cole Thornton, of course). McLeod’s laid-back, if ruthless, attitude also leads to one of the film’s funniest, most tense moments as Thornton has McLeod exit the saloon first, in order to foil Pedro (John Gabriel) and Milt’s (Robert Donner) ambush attempt. When I went to re-watch the film for purposes of my recent “film festival,” I went into it with the goal of being as critical as possible: it’s often too easy for us to simply accept our childhood loves unconditionally, without giving them proper critical consideration. El Dorado – Opening Credits Title Song / George Alexander and the Mellomen. Sung by George Alexander accompanied by The Mellomen In sunshine and shadow, from darkness till noon Over mountains that reach from the sky to the moon A man with a dream that will never let go Keeps searching to find El Dorado So ride, boldly ride, to … One aspect of El Dorado that can’t be lauded enough is the excellent, witty script, courtesy of screenwriter Leigh Brackett (Rio Bravo, Hatari! We begin with Sheriff J.P. Harrah (Robert Mitchum), the sardonic, dead-eye sheriff of the frontier town of El Dorado. For my money, El Dorado may just have one of the most perfect opening credit sequences in the history of film: as Alexander’s tuneful baritone begins the tune by referencing Edgar Allen Poe’s eponymous poem, we get a series of old-fashioned oil-color paintings that depict various mainstays of the Old West: the range-riding cowboy, covered-wagon riding settlers, stampeding herds of mustangs and dusty twilight landscapes. Alexander’s mellifluous voice continues to rise, creating a truly cinematic moment: you feel not only the history and “reality” of the Old West but you feel the myth and legend, as well. If 100 different people were to ask me the same question, they might receive any of seven or eight different answers, depending on any of the above. The bullets are gonna fly as Cole and his friends seek to bring peace to El Dorado one way or another. The group "The Mellomen" (Thurl Ravenscroft, Bill Lee, Bob Stevens and Max Smith) sung the theme to Cheyenne. Listen to George Alexander & the Mellomen tracks for free online and get recommendations on similar music. By that time, hopefully, I’ll have been able to make up my mind a little better. I like to think that I’m able to view films with a particularly critical eye but there are still certain movies that produce an almost Pavlovian response in me: Halloween and Assault on Precinct 13 (1976) get me with their scores, The Man With No Name trilogy and The Texas Chain Saw Massacre get me with their openings and Dirty Harry (1971) gets me pretty much every damn time Eastwood is on-screen. Not strictly a full-blown JW vehicle either, to be honest, but he does get to appear in the Civil War sequence as General Sherman, considered by some to be the best part of the film. George Alexander, Self: The Ray Anthony Show. They also did the other Warner Brothers westerns, and the Zorro series theme music. I’m also going to cover in later articles my favourite orchestral soundtracks to JW Westerns, as well as songs and themes from non-Western JW movies at some point. This group of films (more than five but less than ten…I think) still gets watched on a regular basis, at least once a year if not more often, despite my ever-present desire to continue to see as many new and previously unseen films as humanly possible. or Some of this group of films tends to be seasonal (Carpenter’s original Halloween (1978) and Dougherty’s neo-classic Trick ‘r Treat (2007)), whereas others are good to go anytime, anywhere (The Good, the Bad and the Ugly (1966), The Texas Chain Saw Massacre (1974), Goodfellas (1990)). This site uses Akismet to reduce spam. I’m aware that Bernstein wrote the melody behind the song, but not too sure who actually wrote the lyrics. Part of. Song information for El Dorado - George Alexander, Mellomen on AllMusic In sunshine and shadow, from darkness till noon . John Wayne plays, essentially, the same character in both films, while Robert Mitchum, James Caan and Arthur Hunnicutt are just variations on the characters that Dean Martin, Ricky Nelson and Walter Brennan first established in Rio Bravo. Things aren’t looking too good for Cole, who’s still experiencing pain and loss of feeling from the bullet which is still lodged near his spine. Things get a whole lot better when Cole happens to meet young Mississippi (James Caan), however: Mississippi is a bit of a hot head and is completely wet-behind-the-ears but he’s also whip-smart, fiercely loyal and absolutely lethal with a hunting knife. I also said it was a pretty cheesy song, which it is, but on reflection that doesn’t make it a bad song. They were sometimes credited as The Mellowmen, The Mello Men, or The … Here, Hawks is pretty much flawless: working with legendary cinematographer Harold Rosson, he’s created perhaps one of the finest evocations of the “mythical Wild West” ever put to film. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a … I actually prefer the subtlety of JW delivery on Texas Is A Woman to the somewhat overblown approach taken on the America album, but maybe that’s just me. Truth be told, I don’t know that I could ever come up with a definitive answer to the question, although I’ll make damn sure to take a stab at it on my deathbed. George Alexander and The Mellomen EL DORADO (Nelson Riddle / John Gabriel) A moving wester It’s heady stuff and none more so than towards the end of the film, where Thornton, Harrah and Mississippi stalk the deserted streets of El Dorado, picking off McLeod’s men one by one. I found it hard to like the movie but Johnny Horton’s rendition of the jaunty main theme tune, written by Mike Philips – the soundtrack was composed by Lionel Newman and Harry Sukman – gets the film off to a great start. Played on the saloon piano] See also. Coming off as a more handsome, if no less nutty, Willem Dafoe, George is able to make McLeod more than a worthy adversary for Wayne’s Thornton. or The Burt Bacharach / Hal David song for The Man Who Shot Liberty Valance, recorded by Gene Pitney, similarly didn’t make it into the actual movie. William Conrad, the somewhat portly actor who rose to eventual fame as TV detective Cannon, here recites his lyrics whilst a gathering of anonymous studio singers provide the singing duties. “You know a girl,” Mississippi replies, without missing a beat. Title song by John Gabriel, Nelson Riddle, performed by George Alexander, The Mellomen. With El Dorado, my adrenaline starts pumping the second the opening kicks in and that glorious theme song, performed so perfectly by George Alexander and the Mellomen, begins. George Alexander and The Mellomen EL DORADO (Nelson Riddle / John Gabriel) A moving western song from a great movie ("El Dorado", 1966). “What’s that,” the laconic gunslinger snaps back. Wayne, Mitchum, Caan and Hunnicut make a perfect team, Asner and George make perfect villains and Michele Carey is one of the most amazing spitfires to ever grace the silver screen. Inc: Al Viola, Tommy Tedesco, Howard Roberts, guitar; Carol … The one common thread that all of these films share is that I never get tired of them, regardless of how many times I’ve seen them. The Mellomen recorded under a variety of names, including Big John & The Buzzards, The Crackerjacks, The Lee Brothers, and The Ravenscroft Quartet. Not only is it my favorite Howard Hawks film, it’s also my favorite John Wayne film and one of my favorite Mitchum and Caan films, which actually says alot. I’m afraid I can’t recommend too many of the other songs that feature in the film, which eventually turns into the most expensive episode of the Debbie Reynolds Show ever made. Harrah’s best friend, the plain-talking hired gun Cole Thornton (John Wayne), has come through town in order to go see land baron Bart Jason (Ed Asner) about a potential job. This is a tougher call but c’mon: Bull is such a kickass character that Hunnicutt almost wins by default. Listen to George Alexander & The Mellomen on Pandora today!
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